Welcome to the bearers galaxy - via lunar seas and black holes we will travel through space and time - with different works and projects through the ever expanding universe
〰️
Welcome to the bearers galaxy - via lunar seas and black holes we will travel through space and time - with different works and projects through the ever expanding universe 〰️
Gut feeling, 2022, metal, wax, oil-paint, terracotta
Gut Feeling, 2022, terracotta
Backing Chords, 2022, metal, wax, oil-paint, terracotta
Backing Chords, 2022, metal, wax, oil-paint, terracotta
For the installation ’There will be time’ I have been revisiting memories from my early childhood, in particular moments wherein I experienced deep time. Like when I sat in the garden next to my grandpa, both watch- ing the fish swim in his pond. Or seeing a very bright light shining through the church-window while hearing my mum play the organ. Moments with a cosmic perspective that still stick with me, an experience of time as a non linear movement.
For the installation I’ve decomposed elements from these memories and created an installation that consists of sever- al large sculptures and a sound-piece. The sound- piece is a recording of handmade ceramic flutes played through several large burnished ceramic megaphones on metal stands.
The burnished ceramics refer to ancient methods of creating pots and vessels whilst the sound of the ceramic chambers create a very warm feeling, as being carried by the sound.
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A performance in collaboration with Holland Festival Young
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This landscape sheds. Just like other landscapes, that shed as well. This landscape clings to you. Its colours change its shades, Its pigment sticks to your feet.
This world smells. Just like other worlds, you can smell it. This world echoes. It grows, withers, and might pass away. Sometimes it’s hard, and sometimes it’s way too easy
This landscape is not neutral. It is of color. It moves, it resists, It drips. Slowly...Drips on you...
The Landscape Project #1 merges the playground and the conceptual artwork. Using materials like pigment, colourfilters and plexiglass it creates a framework to observe what is ‘natural’, what is art and what is naturally there.
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An exhibition design for Zero Emissions by 2099 by curator Mary Ponomareva at Showroom Mama
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A scenography for Transmotion by Dario Tortorelli
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